Archive

S. Hundbiss & I. Pavlíčková & P. Kriššák: DAMAGE DECODING: Archeology of the Future

<p>The show takes the viewer through three chapters of <strong><em>Damage Decoding: Archeology of the Future</em></strong>. The exhibition reflects on what damage has been done or might still be awaiting us through artistic practices such as film, sculpture, and painting by the artists <strong>Sophie Hundbiss, Ivana Pavl&iacute;čkov&aacute;,&nbsp;Patrik Kri&scaron;&scaron;&aacute;k</strong>.<br /> Throughout the exhibition, this narration evolves in the space through a gradual light concept.</p> <p>You enter the show&nbsp;and see Sophie Hundbiss film Index of Lilith on a screen. It introduces the visitor to the idea of damage as both ancient and consistent in present topics.</p> <p>Ephemeras of the film lead the viewer to the center and second chapter of the exhibition. Installed here are ceramic plates by Ivana Pavl&iacute;čkov&aacute;, arranged in a set-up that references gamer aesthetics. The plates are similar to relics that depict an antiquitized gaming culture.</p> <p>In the last and lightest room are dark, contrasting paintings from Patrik Kri&scaron;&scaron;&aacute;k. The artworks in this chapter deal with ecological damage and ask of a possible end to the narrative.</p>

Martin Lukáč: BATTLEFIELD