This performance is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
Come celebrate the end of 2024 with us at Bar NoD. You can look forward to top drinks, great food and a video discotheque that is guaranteed to get you moving…
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
This performace is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performace is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performace is in Czech only.
This performance is in Czech only!
This performance is in Czech only.
This performance is in Czech only!
Pro překračování akademických hranic malby používá ve své práci několik prostředků. Je to jednak fotografie s vlastní mediální specificitou, dále fragment, série a také instalace. S fotografií Pavel Příkaský pracuje jednak jako s přípravným materiálem některých svých kreseb, zajímají ho ale také chyby, kterými toto „dokonalé“ zobrazovací médium trpí. Opakujícím se motivem je tak mizení, neostrost či naopak přeexponovanost, barevné vychylování a překrývání jednotlivých obrazů nastávající ve chvíli, kdy světlocitlivý papír vystavíme vícekrát jinému negativu. Umělec sám však více než o cíleném záměru práce s vlastnostmi fotografie hovoří o současné prosycenosti světa fotografickými obrazy anebo filmem a svůj přístup označuje jako více intuitivní a z dané skutečnosti odvislý.