This performance is in Czech only!
Galerie NoD Amplification Daniel Vlček & Antonín Gazda, Jiří Suchánek & Pavla Beranová, Lukáš Likavčan & Selmeci Kocka Jusko Cooperation: Giovanni Cecconi, Johana Rotterová Kurátor: Pavel Kubesa Opening: 27. 1. 2026, 18:00 28. 1. - 27. 2. 2026 The original impetus behind the artistically driven, research-based, and interdisciplinary exhibition project ZESÍLENÍ (Amplification) is a reflection on the ways ecological reality is disclosed to us: it is not something outside of us, but rather an intricate network of being that touches our body and mind at once. The project directly continues Daniel Vlček’s 2023 residency in the Venetian Lagoon and expands through the work of additional authors and through interdisciplinary collaborations. In the initiating project Confluence at Marignana Arte, presented during the Venice Biennale 2024, Vlček developed the concept of the “lagoon” as a symbol of a complex ecological superorganism, in which the interface between culture and nature is intermingled and a daily confrontation of the relation between elemental forces and being is opened up. Positioned between a site-specific installation and a scientific laboratory, the multimedia exhibition seeks to simulate planetary processes of nature while also amplifying biological and physical processes that shape the changing environmental conditions of life in the Anthropocene.
This event is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performance is in Czech only.
This performace is in Czech only.
This performance is in Czech only!
This event is in Czech only!
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This event is in Czech only!
This event is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performance is in Czech only!
This performace is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
Jan Pfeiffer has established himself as an artist working with diverse formats of creating complex signal situations thematizing different semantic contexts. His works abound in historical, mythological, religious and cultural connotations of both specific sites and purely abstract, even anthropological archetypal motifs. Pfeiffer´s visual morphology elaborates the semantic options offered by various sets of basic geometric shapes and develops them in a process aimed at unfolding their broader interpretational potential and a dramatization of symbolic narratives. A common denominator of Pfeiffer´s output is a shared, characteristic mood, an externalized individual sensitivity which determines the nature and language of his approach to individual subjects. Pfeiffer´s narratives thus induce the feeling of a seemingly gentle yet at the same time firm handshake, a physical contact straddling in terms of effect the borderline between a tender stroke and the act of moulding of material, either sculptural or human, represented by spectators.
NoD Gallery
Jan Pfeiffer: Two Rules for One Thing
Curator: Pavel Kubesa