This performance is in Czech only!
This event is in Czech only!
This event is in Czech only!
This show is in Czech only!
This performance is in Czech only.
This performace is in Czech only.
This performance is in Czech only!
This event is in Czech only!
This performance is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performace is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
This performace is in Czech only.
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
This performance is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
Jan Pfeiffer has established himself as an artist working with diverse formats of creating complex signal situations thematizing different semantic contexts. His works abound in historical, mythological, religious and cultural connotations of both specific sites and purely abstract, even anthropological archetypal motifs. Pfeiffer´s visual morphology elaborates the semantic options offered by various sets of basic geometric shapes and develops them in a process aimed at unfolding their broader interpretational potential and a dramatization of symbolic narratives. A common denominator of Pfeiffer´s output is a shared, characteristic mood, an externalized individual sensitivity which determines the nature and language of his approach to individual subjects. Pfeiffer´s narratives thus induce the feeling of a seemingly gentle yet at the same time firm handshake, a physical contact straddling in terms of effect the borderline between a tender stroke and the act of moulding of material, either sculptural or human, represented by spectators.
NoD Gallery
Jan Pfeiffer: Two Rules for One Thing
Curator: Pavel Kubesa