How can one depict the city today when it is no longer merely an urban whole, but also a psychic landscape, a data infrastructure, and a space of permanent tension? And how can one grasp the metropolis at the moment when its everyday reality breaks down into layers of personal projections, collective affects, and invisible systems that shape our movements, relationships, and modes of perception? The international exhibition project The Hammer Strikes the Bell by New York-based Latvian artist Viktor Timofeev and Czech artist Radek Brousil, prepared together with curators Boris Ondreička and Pavel Kubesa for Prague’s NoD Gallery, enters precisely this field of meaning. Here, the city does not appear as a stable backdrop, but as a living, multilayered organism in which subjective experience collides with the logic of late-postmodern infrastructures. The joint project by Brousil and Timofeev is conceived as a complex exhibition situation in which images, drawings, and a spatial site-specific installation are interwoven into a scenographic whole. The exhibition reflects the specific chronotope of the metamodern gigapolis — a city that is simultaneously a concrete place and a mental state, a set of material structures and a field of imagination. The artists are interested in the intricate image of buildings, people, technologies, and collective psyche that emerges from the structures of today’s metropolises. The exhibition is therefore not built on a mere dialogue between two media or two artistic signatures. More important is the very nature of their encounter: both Brousil and Timofeev have long cultivated a sensitivity to what remains beneath the surface of the visible world, whether power regimes, infrastructures, cultural codes, or unspoken models of identity. From this perspective, The Hammer Strikes the Bell transforms the gallery space into a situation in which the city becomes not only a theme, but also a method. The viewer does not enter a closed narrative, but rather a mutable scenery in which a wide range of individual and collective dramas may unfold. Viktor Timofeev (*1984), whose practice clearly extends beyond the framework of Central and Eastern Europe, is an internationally established artist living and working in New York, whose interdisciplinary practice brings together drawing, painting, video, sound, software, and experimental games into complex environments situated at the intersection of autofiction, worldbuilding, and systems thinking. In 2025, he presented his most extensive museum exhibition to date, Other Passengers, at the Latvian National Museum of Art in Riga; he has also exhibited at the Hessel Museum of Art in New York, Bozar in Brussels, and the National Gallery in Prague. Radek Brousil (*1980) enters this dialogue as an artist who has long reflected on the relationship between image, material, and social reality. In his post-photographic approach, he combines photography with textile, object, video, installation, and painting, and consistently engages with socio-political and environmental themes, postcolonial tendencies, and the question of a “new sensibility.” His work grows out of a critical relationship to standardized interpretations of late capitalism, the Anthropocene, and global power relations, and has increasingly also turned toward the politics of time. Brousil is among the notable figures of the Czech art scene with strong international experience, as confirmed by his projects in London, Brussels, Budapest, Tokyo, and other institutions.
This event is in Czech only!
This event is in Czech only!
This performance is in Czech only!
This event is in Czech only!
This performance is in Czech only.
An evening of graduation projects by third-year choreography students at the Academy of Performing Arts (HAMU). Nadkroví Barbora Sváčkov…
This performance is in Czech only!
This performace is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performace is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
This performace is in Czech only.
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
This performance is in Czech only!
This performance is in Czech only.
“Sound painting” is a sign language used for composing scenes (combining different art disciplines) in real time performances. “Sound painting” was created by Walter Thompson and has been spread around the world. THE IMPROV BIG BAND was later derived from the original Thompson’s format and has already been performed with an absolute success in Mexico, Reunion Island, Puerto Rico, Spain, etc. THE IMPROV BIG BAND is a new way to play with different artistic forms (music, poetry, dance, etc.).
In October 2017 Omar Argentino Galvan (an improviser and a teacher of sound painting technique) will be visiting Prague with his special show. He will be training a local theatre improv group IMPROvariace for several days and this workshop will lead to a first live performance of THE IMPROV BIG BAND in the Czech Republic.
THE IMPRO BIG BAND live show will take place at Theatre NoD (Dlouhá 33, Prague 1) on Sunday October 8, 7:30 PM. Tickets will be available via GoOut. Price 200 CZK (adults) / 150 CZK (students).
OMAR ARGENTINO GALVAN is one of the main representatives of the Spanish Improv scene. Omar is originally an Argentinian but resides in Madrid. He is an improviser, a teacher and a creator of new formats. He also wrote the Impro Handbook “From the jump to the fly. Impro Handbook ” (“Del salto al vuelo”). His scenes are known for their particularly poetic atmosphere blended in with a magical realism and a theatrical narrative which are not often seen in Improv theatre world. With his nonstop “Improtour” he has been touring the world since 2000 and has performed and taught in more than twenty-five countries in four continents. He constantly returns to some of them (Italy, Latino America, Portugal). He regularly performs with his two one-man Impro shows and plays together with the most prominent international theatre companies. In 2017 he is travelling around the world planning to complete his Improtour across five continents.
IMPROvariace is a semi-professional improv theatre group from Prague with almost 30 members divided into two ensembles. Improvisers work together since 2005 which makes them one of the longest acting improv group in the Czech Republic. IMPROvariace is working with all possible and impossible forms of improvisation (theater sports, longforms, impro shows, international shows etc.). Regular shows are presented twice a month in Reduta Jazz club and Theatre Kámen.