Galerie NoD Amplification Daniel Vlček & Antonín Gazda, Jiří Suchánek & Pavla Beranová, Lukáš Likavčan & Selmeci Kocka Jusko Cooperation: Giovanni Cecconi, Johana Rotterová Kurátor: Pavel Kubesa Opening: 27. 1. 2026, 18:00 28. 1. - 27. 2. 2026 The original impetus behind the artistically driven, research-based, and interdisciplinary exhibition project ZESÍLENÍ (Amplification) is a reflection on the ways ecological reality is disclosed to us: it is not something outside of us, but rather an intricate network of being that touches our body and mind at once. The project directly continues Daniel Vlček’s 2023 residency in the Venetian Lagoon and expands through the work of additional authors and through interdisciplinary collaborations. In the initiating project Confluence at Marignana Arte, presented during the Venice Biennale 2024, Vlček developed the concept of the “lagoon” as a symbol of a complex ecological superorganism, in which the interface between culture and nature is intermingled and a daily confrontation of the relation between elemental forces and being is opened up. Positioned between a site-specific installation and a scientific laboratory, the multimedia exhibition seeks to simulate planetary processes of nature while also amplifying biological and physical processes that shape the changing environmental conditions of life in the Anthropocene.
This event is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performance is in Czech only.
This performace is in Czech only.
This performance is in Czech only!
This event is in Czech only!
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This event is in Czech only!
This event is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performance is in Czech only!
This performace is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
Curated by: Pavel Kubesa
Opening: 5. 4. 2023, 7pm
6. 4. - 30. 4. 2023
The show takes the viewer through three chapters of Damage Decoding: Archeology of the Future. The exhibition reflects on what damage has been done or might still be awaiting us through artistic practices such as film, sculpture, and painting by the artists Sophie Hundbiss, Ivana Pavlíčková, Patrik Kriššák.
Throughout the exhibition, this narration evolves in the space through a gradual light concept.
You enter the show and see Sophie Hundbiss film Index of Lilith on a screen. It introduces the visitor to the idea of damage as both ancient and consistent in present topics.
Ephemeras of the film lead the viewer to the center and second chapter of the exhibition. Installed here are ceramic plates by Ivana Pavlíčková, arranged in a set-up that references gamer aesthetics. The plates are similar to relics that depict an antiquitized gaming culture.
In the last and lightest room are dark, contrasting paintings from Patrik Kriššák. The artworks in this chapter deal with ecological damage and ask of a possible end to the narrative.