This performance is in Czech only!
Galerie NoD Amplification Daniel Vlček & Antonín Gazda, Jiří Suchánek & Pavla Beranová, Lukáš Likavčan & Selmeci Kocka Jusko Cooperation: Giovanni Cecconi, Johana Rotterová Kurátor: Pavel Kubesa Opening: 27. 1. 2026, 18:00 28. 1. - 27. 2. 2026 The original impetus behind the artistically driven, research-based, and interdisciplinary exhibition project ZESÍLENÍ (Amplification) is a reflection on the ways ecological reality is disclosed to us: it is not something outside of us, but rather an intricate network of being that touches our body and mind at once. The project directly continues Daniel Vlček’s 2023 residency in the Venetian Lagoon and expands through the work of additional authors and through interdisciplinary collaborations. In the initiating project Confluence at Marignana Arte, presented during the Venice Biennale 2024, Vlček developed the concept of the “lagoon” as a symbol of a complex ecological superorganism, in which the interface between culture and nature is intermingled and a daily confrontation of the relation between elemental forces and being is opened up. Positioned between a site-specific installation and a scientific laboratory, the multimedia exhibition seeks to simulate planetary processes of nature while also amplifying biological and physical processes that shape the changing environmental conditions of life in the Anthropocene.
This event is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performance is in Czech only.
This performace is in Czech only.
This performance is in Czech only!
This event is in Czech only!
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This event is in Czech only!
This event is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performance is in Czech only!
This performace is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
March 23 - April 21, 2017
Curator: Jiří Machalický
More
Daniel Vlček is interested in the link between artistic representation and industrial production and the relationship between sound and its visual expression. Certain formats in his body of work have been adapted from forms of industry, a fact attested to by his consistent work with loops and repeated motifs. Originally it was the vinyl records he used as a DJ that defined the character of his paintings, works representing a specific template into which memory has been recorded. It was here that Vlček first tried to carry over musical elements onto the canvas, capturing musical practices via visual and artistic formats. At the same time, this work was based on the visualization of sound that had been the inspiration behind his drawings and paintings. In an almost constructivist way, he had attempted to ward off the surface while recording the rhythm found in the passing of time. This intention can be expressed as a spiral, the visual structure behind the principle of phonograph records. Vlček’s repeated motions based on a template are an intentionally mechanical method often resulting in abstract structures. This end result subverts the usual consequences of mechanical reproduction and draws attention to the true non-mechanical nature of Vlček’s practice.
NoD Gallery
Daniel Vlček: Through the eye of mechanical reproduction
Curator: Jiří Machalický