This performance is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
Come celebrate the end of 2024 with us at Bar NoD. You can look forward to top drinks, great food and a video discotheque that is guaranteed to get you moving…
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
This performace is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performace is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performace is in Czech only.
This performance is in Czech only!
This performance is in Czech only.
This performance is in Czech only!
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This concert presents the chamber music of <strong>Marek Kopelent </strong>and <strong>Petr Kotík</strong>, two composers whose names are closely associated with the new music group Musica Viva Pragensis, which was established at the Prague Conservatory around 1961, bringing together enthusiastic young composition students.</p> <p>This year the two composers celebrate significant anniversaries, which is why this evening will be a celebratory one!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only.</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>An alternate date for the concert, which was supposed to take place in February 2021, but due to the coronavirus pandemic we had to postpone it.</p> <p><strong>Marián Lejava (1976)</strong></p> <p>The leading contemporary Slovak conductor and composer Marián Lejava (1976) is a regular guest at the Slovak National Theatre and with the Slovak Philharmonic, and is known mainly in the Czech Republic as a conductor. Today’s ‘portrait’, however, presents him principally in his second and perhaps even more important role as a composer and dramaturg with a limitless imagination. The concert features two of his world premieres and one Czech premiere. The concert’s special guest will be the Slovak violinist Milan Pal’a.</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>The Cycle S 2022/2023 concert season opens in the USA:</p> <p><strong>John Cage </strong>– a proponent of aleatoric experimental music and lover of art and mycology.<br /> <strong>Elliott Carter </strong>– graduated in music and English from Harvard University, the focal point of his art was atonal music and his compositions are among some of the most demanding for listeners. He was twice awarded the Pulitzer Prize for Music and won a Grammy Award in 1993.</p> <p>We will introduce the chamber music of Cage and Carter using four compositions from various creative periods of the two composers with substantial time gaps. John Cage wrote Three Pieces for Flute Duet when he was 23, Elliott Carter composed his Oboe Quartet – for Oboe and String Trio when he was 93.</p>
<p>This performance is in Czech only!</p>
<p>The Lactism exhibition is a revision of the women's condition, related to our ecosystem; the project presents a society free of all geopolitical borders. We can do so with help of our utopian religion, founded in Jerusalem. Terms like „nation“ and „border“ with their systematic and economic functionality do not have any relevance for the followers of Lactism.</p> <p>Lactism, a monotheistic religion, worshiping the Lacteria Goddess as the Mother Nature, replaced the patriarchal order, that has for centuries ignored voice of the Nature. It became fourth religion, completing the group of the three most popular monotheistic religions. The Lacteria Goddess was created by a collective of women, that reflects diversity and refers symbolically to the power of individual in the collective. This way, the collective itself becomes the Goddess.</p> <p>The exhibition is designed as fragment of a fictional temple, built for the cult of the Lacteria Goddess. It is a meta-modernistic experiment, rewriting history of the human race. The work revisions historic perspective and serves as a platform for discussions about concerns related to the climate change, gender inequalities, and the heading of our society in general.</p> <p>The Lacteria Goddess was created by a collective of women:</p> <p>✹ Maayan Sheleff<br /> ✹ Věra Duždová Horváthová<br /> ✹ Hannan Abu Hussein<br /> ✹ Osher Kasa<br /> ✹ Lee He Shulov<br /> ✹ MIchal Mendelboim<br /> ✹ Tran Hong Van<br /> ✹ Trương Thu Thủy<br /> ✹ Lea Mauas<br /> ✹ Noa Pardo<br /> ✹ Liora Lupian<br /> ✹ Rosa Andraschek</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only.</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p><u><strong>Programme</strong></u></p> <p><strong>Henryk Górecki</strong><br /> <em>For you, Anne-Lill for Flute and Piano Op. 58 (1956)</em></p> <p><strong>Krzysztof Penderecki</strong><br /> <em>Der unterbrochene Gedanke for String Quartet (1988)</em></p> <p><strong>Henryk Górecki</strong><br /> <em>Clarinet Quintet: Piece for Clarinet and String Quartet Op. 71 (1996)</em></p> <p><strong>Krzysztof Penderecki</strong><br /> <em>Sextet for Violin, Viola, Cello, Piano, Clarinet and French Horn (2000)</em></p>
<p>This performance is in Czech only.</p>
<p>This performance is in Czech only!</p>
<p>This event is in Czech only.</p>
<p>This performance is in Czech only.</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>Two women, dancers, both same age, are said to have a remarkable physical resemblance. At first, they have no idea about each other, they just heard that everyone has a double somewhere. Is it possible to find answers through another person? What makes us identify with others and ourselves?</p> <p>- - - - - - - - - - </p> <p>Ondrová and Foscarini on a journey between a documentary and an intimate statement, one's own body and personal experience. In their work, they touch on a topics, such as the female psyche, loneliness, vulnerability, acceptance of the state in which the arts finds itself. Even though they don't know each other, can they share a bond that transcends geography?</p> <p>In 2020, a Czech-Italian dance project was created - a duet by Tereza Ondrová and Francesca Foscarini. Due to the worldwide pandemic, rehearsals are at first postponed, then moved, then done remotely - via the platform Zoom. The first public show was scheduled for the 8th of December that year. A live audience is not possible, so the creators decided to adapt the rehearsal process into a video essay. Subsequently, rehearsals continue. Constant attempts at new ways to survive, adaptations of an adaptation. On the way between a documentary and an intimate statement, one's own body and personal experience.</p> <p>Thanks to the Czech Dance Platform 2016 award, which was given by Roberto Casarotto (director of dance projects Centro per la Scena Contemporanea di Bassano del Grappa and Operaestate Festival Veneto) for her performance in the production AS LONG AS HOLDING HANDS, Tereza Ondrová was able to attend a choreographic research in Bassano del Grappa. This opened a new world for her, where she met with leading personalities of the young Italian dance generation. The artists began to fascinate her mainly with their own studio, their work and their local community, with the local space of the museum, but also with their excellent technique, emotional impact and strong stage presence. After repeated meetings with artists such as Alessandro Sciarroni, Daniele Ninarello, Silvia Gribaudi and Francesca Foscarini, she decided to address two strong female personalities of the contemporary Italian scene to collaborate (Silvia Gribaudi and Francesca Foscarini).</p> <p><strong>Tereza Ondrová</strong><br /> Dancer, choreographer, teacher</p> <p>Studied Dance Pedagogy at the Academy of Performing Arts in Prague. In 2004 she co-founded the dance company VerTeDance where she created more than 25 pieces. Since 2012 she has been cooperating with Peter Šavel. Together they created the duet Boys who like to play with dolls, which was awarded the Amnesty International Freedom of Expression Award (2015), Dance Piece of the Year and Dancers of the Year 2014 in the Czech Republic, nominated by Total Theatre Award Nomination and selected for Priority Companies List 2014 by Aerowaves, and As long as holding hands (2015). Since 2016 she has been working with a director Petra Tejnorová (You are here, 2016; Nothing Sad, 2017; LETS’S DANCE!, 2017; Hello, Is Anyone Out There?, 2017; SAME SAME, 2018]. As a dancer and interpreter she collaborated with choreographers such as Charlotta Öfverholm, Karine Ponties, David Zambrano, Anton Ľahký. She is also a teacher. Teaches at Theatre Faculty of the Academy of Performing Arts in Prague and movement courses for actors of the National Theatre in Prague.</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only.</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>Výstava Marie & Valentýna je kolaborativní projekt vizuálních umělkyň Marie Lukáčové a Valentýny Janů, který rozvíjí možnosti vzájemných podobností jejich formálních a koncepčních přístupů. Umělecké výstupy obou autorek paralelně odkazují k problematice feminismu, emancipace, ekologie a dalších společensko-kritickým tématům. Zpracování jejich témat velmi často přebírá atributy popkulturní vizuality. I přesto, že každá z umělkyň pracuje se svými specifickými výrazovými prostředky jako jsou tanec, hudba, rap či 3D animace, společným jmenovatelem jejich práce je medium videa, které převládá umělecké praxi obou. Symbióza těchto přístupů tak slibuje podmanivý a silný zážitek audiovizuálního charakteru.</p> <p>Centrálním dílem výstavy bude dvoukanálová videoinstalace autorského uměleckého filmu. Snímek rozvíjí žánr hudebního videoklipu, prostředitcvím kterého umělkyně rozehrávají emancipační rétoriku, spočívající ve verbální deklaraci, obrazové kompozici, animaci, choreografii a autorském hudebním tracku. Zmiňované popkulturní tendence výstavy Marie Lukáčové a Valentýny Janů odkazují na čtení a zpětné zobrazení pohybu, tance a těl, které skrze skupinovou choreografii demonstrují nezřízený empowerment. Hudební film je přímo inspirován estetikou i náměty MTV videoklipů z přelomu milénia, ke kterým se obě autorky spontánně navrací a společně se tak pokouší redefinovat jejich obsah.</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only.</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only.</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>
<p>This performance is in Czech only!</p>